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Elements and Performance Criteria

  1. Prepare to develop music using electronic media
  2. Develop simple musical pieces
  3. Evaluate own musical works

Required Skills

Required skills

communication and teamwork skills sufficient to

discuss musical requirements in a collaborative manner

respond positively to constructive feedback on own work

work collaboratively with others involved in the music development process

numeracy skills sufficient to determine duration of musical pieces

listening skills in the context of

using aural imagination when manipulating musical elements

applying auralperception skills to improve musical outcomes

initiative and enterprise skills sufficient to

develop original and innovative approaches to developing music with electronic media

experiment with musical styles and elements to develop own style

planning organising and selfmanagement skills sufficient to

gather information on musicalstyles elementsandformsstructures

seek expert assistance when problems arise

prioritise work tasks

meet deadlines

demonstrate reliability in all agreed work commitments

learning skills sufficient to

identify and use techniques to develop aural memory and imagination

continuously evaluate and adjust own work via critical listening

technology skills sufficient to

use appropriate and current software and hardware for developing music

resolve operational problems with equipment or software and seek advice as required

Required knowledge

features of standard hardware and software toolspackages for developing and notating music

issues and challenges that typically arise in the context of developing music using electronic media

OHS principles of

safe listening including safeguards against hearing loss

using a computer and keyboard for periods of time

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

develop a selection of simple musical works using electronic media

respond positively to constructive feedback on own musical works

Context of and specific resources for assessment

Assessment must ensure

access to an environment where music development skills can be applied

access to industrycurrent electronic media used to develop musical works

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

case studies to assess ability to use musical elements and standard melody conventions

direct observation of the candidate developing musical pieces using electronic media

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that typically arise in the context of developing simple musical pieces using electronic media

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Appropriate personnel may include:

performer

composer

sound engineer

client

marketing and promotions personnel

artist's agent

tutor

mentor.

Features may include:

virtual instruments

music notation

tracks:

drum

other instruments

harmonic progression

bass line

melodies

harmonies

recording and adding parts to tracks:

in real time

in step time

by importation from other sources

channels

file output formats

audio capture

MIDI support

loops

mixing:

delaying harmonies

adding or changing harmonies

introducing instrumental effects and distortion

adjusting balance, tone and intonation

adding sound elements and effects

note editing:

note on or off

note or pitch bend

control change

program change

keyboard after touch

modulation

pitch wheel

sequencing

changing velocity and volume

mastering

samples

specialist plug-ins.

Software applications may include:

Pro Tools

Logic

Cubase

Ableton Live

Reason

Nuendo

Garage Band

Digital Performer

Soundscape

Sonic Studio.

Purpose of musical pieces may be for:

computer game

screen production

music demo

specific performer or band

mood music as background to an event or function

own personal development.

Styles may include:

acoustic:

blues

folk

gospel

classical

contemporary:

country

electronic

heavy metal

hip hop

industrial

pop

punk

rap

reggae

rock

jazz

dance.

Elements may include:

acoustics

aesthetic qualities

articulation

attack

beat

cultural context

duration

dynamics

expression

form

harmony/chords

instrumentation

interpretation

intonation

melody

notation

nuance

orchestration

ornamentation

phrasing

pitch

relationship to song lyrics

rhythm

scales

shape

sound production

suspensions

tempo

texture

timbre/tone colour

time signatures

tonality

transposition

unity and contrast

voicing

volume.

Forms/structures may include:

air

binary

free/through-composed

mobile

rondo

sonata

strophic

ternary

variation

verse-chorus, i.e. combinations of verse, chorus, bridge and/or other contrasting sections, such as ABA, AABA, etc.

Standard melody conventions may include:

diatonic

embellishments

harmonic rhythm

imitation

leap

melisma

phrase

pitch

repeated notes

sequence

step

turnaround

unison.

Copyright notice may include:

copyright symbol, followed by the name of the copyright owner and the year of first publication

for sound recordings, the letter P (for phonogram) in a circle or in brackets is used.

File formats may include:

AIFF

AC3

WAV

WMA

MIDI

Real Audio

QuickTime

MP3.